Gayle Rankin, who's starring in the Broadway revival of 'Cabaret,' tells Michaela Coel what it's like to become Sally Bowles.
last week, has as much to do with cultivating a sense of ritual as it does tapping into something fundamental about the iconic character for which Liza Minnelli won an Oscar in 1973. “
COEL: Yeah. I’d also been in London before to the previous iteration of the show. Were you familiar with that version? RANKIN: I’ll say that I have a difficult time, as many artists do, staying present. And who wants to be in the present? We live in this world and it can be beautiful and totally horrendous. But this show attached me to the present in a way that I haven’t ever been, ever in my life, ever. I feel very alive because I’m using my body and my nervous system and my voice and my morality in a way that I’ve never had to before. And I have to check in with it every fucking day.
COEL: I’ve been here for seven months now. One thing I love about America is that you don’t have to go far to feel like you’re in a totally different country. The landscapes are so varying. I write upstate. I like Storm King.RANKIN: Oh, that’s pretty fucking great. I’ve just started going to Hudson because I’ve got friends up there and we started to look for houses, because I love being in the country. It just reminds me of home and stuff like that.
COEL: I feel compelled to tell you, if you ever get lost, you can always find your way back. Sometimes, I feel like performers, we end up in a job and actually it was a mistake and we’re mad. It’s about having compassion for ourselves and knowing that it’s okay. There is something that benefits us in everything and you will find your way back.
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