There are a lot of films based on personal experience at this year’s SXSW, and Billy Luther’s narrative feature debut is one of the few that actually makes you wish it could go on longer. Using his…
is preaching to the LGBTQ+ choir and destined for that audience alone. Rather, it shares that long-running show’s compassion and its curiosity about the things that make us we who really are. In Luther’s film, sexuality is rumored, joked, suggested and teased about, but no human behavior is explained or labelled because, for its young protagonist, that doesn’t really matter yet.
The year is 1990, and our hero is an 11-year-old boy from San Diego called Benny , who is introduced by Luther in a-style voiceover that interrupts at various intervals, usually when you’ve forgotten about it. Benny is obsessed with Fleetwood Mac and, with his mother’s blessing, dresses up as Stevie Nicks when his father’s not around, which is most of the time.
Grandmother Lorraine doesn’t speak any English, and never will, but Benny accepts this as the new norm, even when his cousin Frybread Face arrives after being dumped there too. Frybread Face speaks English perfectly well, but for a while she feigns ignorance, leaving Benny to fend for himself.
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