Spoiler: It doesn’t have the queer storyline some fans were asking for, but the power ballads are as heart-pounding as ever.
for better or worse, whatever that means to you. For me, it means it lived up to my expectations. I foundWarning: Spoilers ahead.
The plot, much more convoluted than it needs to be, involves Elsa, Anna, Kristoff, Sven, and Olaf journeying north from their home country, Arendelle, to an enchanted forest that has been covered in an impenetrable mist for over 30 years. When a series of quasi-natural disasters forces the people of Arendelle to evacuate the kingdom, Elsa realizes the trouble comes from the upset spirits . It’s all related to a story about the aforementioned mist-covered land the girls heard from their father.
Reckoning with one’s past is a noble goal for a Disney film, especially when it involves powerful heads of state likebut these complicated plot machinations lack the elegant simplicity of most fairy-tale stories. The villain here is Elsa and Anna’s grandfather, whom neither knew because he died before they were born—convenient!—saving the movie from the tricky task of having the women confront their racist grandpa about his murderous, xenophobic ways.
belts her heart out on two occasions, “Into the Unknown” and “Show Yourself,” while Anna sings the plucky “The Next Right Thing,” a more grown-up “Tomorrow” fromKristoff’s song, “Lost in the Woods,” is there for the parents, a Journey-style eighties power ballad accompanied by a silly music video that references ABBA and Queen. It’s “Agony” fromand it put a huge smile on my face. Olaf’s song, “When I Am Older,” is as ironic and weirdly cynical as “In Summer” from the first movie.
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