The famed executive producer of 'Foundation' dissects the heart of Apple TV+'s ambitious sci-fi saga.
of all time. I don’t think I read it until I was about 25. It was always out there in the background as something influential to me. It was almost like the Bible in terms of its import for science fiction. A couple of times in my career I was offered the opportunity to adapt it as a feature, and both times I turned it down.
"Foundation's" superb visual effects can be compared to any major Hollywood sci-fi, fantasy or horror feature, including anything from the"" galaxy. As a sci-fi nerd himself, Goyer is extremely proud of Chris MacLean and Mike Enriquez's SFX team and their series commitment. "Having unburdened ourselves of a lot of necessary exposition in Season 1, we felt that we could dive in much quicker and focus more on the human elements and raw emotions," Goyer said."It is a faster pace. We don't jump around in time, and I think that also makes for a slightly easier access point for the audience. One of the pieces of feedback that I'm very proud of for the first season of 'Foundation' was just how expansive it was and how cinematic it felt.
"Season 1's rating was TV-15, and you're not allowed F-bombs," Goyer explained."There were only two in the scripts and so, at the time, the powers that be thought we could eliminate them and get to TV-15 fairly easily and might reach a broader audience. I said, 'If I do that, can I switch to TV-MA in the second season?' and they said I could. It’s a very flexible word, and I missed having that in my quiver.
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