“All my life is loving you,” is a line of dialogue that, on the page, looks worn thin with familiarity, a little like the trite English title of Claire Burger’s solo directorial d…
Bouli Lanners, Justine Lacroix, Sarah Henochsberg, Cecily Remy-Boutang, Antonia Buresi, Celia Mayer, Lorenzo Demanget, Tiago Gandra. “All my life is loving you,” is a line of dialogue that, on the page, looks worn thin with familiarity, a little like the trite English title of’s solo directorial debut, “Real Love.
Initially, it is all Mario can do to hold on to the threads of his old life. He joins a local theatrical project to be close to Armelle, who works as a lighting designer.
But even as Frida sulks through the forced jollity of Mario’s parental pep talks and drags her heels through the art galleries and theater shows to which he brings her, Julien Poupard’s careful camera picks up the underlying affection that exists between them — in the casual slinging of her foot across his lap while they watch TV, or the way her frostiness thaws during Mario’s impromptu car karaoke sessions.
The supremely confident, intimate storytelling, the unobtrusive warmth of the camerawork, and the piercing naturalism of the performances, direct us so precisely into the heart of each deceptively simple scene that Burger’s intense empathy for her characters becomes our own. It soon feels like we’ve known, and been fond of these people forever.
Modest though it is, Burger’s wise, tender film is its own sort of spectacular, putting the awe back into the ordinary, and ending as a testament to the humble hope that after tumbling through life’s topsy-turviness, we might, just possibly, land right side up.Reviewed at Karloy Vary Film Festival , July 6, 2019. Runtime: 98 MIN. : A Dharamsala production in co-production with Arte France Cinema, Mars Films, Scope Pictures Producer: Isabelle Madelaine.
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