How do you define heroism? For more than a century, movies have shaped our collective idea of the individuals and actions that qualify, often making the word appear out of reach to ordinary mortals…
) — distinguished themselves by undertaking a mission for which neither was the slightest bit prepared.
To maintain a sense of anticipation, the studio shared little about “1917” in advance, apart from the fact that Mendes had designed the entire movie to play out in a single shot — a “plan-séquence,” as the French call it, or “oner” among film students and cinephiles — à la Iñárritu’s “Birdman” and Hitchcock’s “Rope.” Such an audacious choice can often feel like a stunt, drawing audiences’ attention to the technique over the substance.
Thomas Newman’s score ticks nervously through the first act, which takes place in the trenches, as the camera pushes behind Blake and Schofield through crowds of soldiers — alternating between following over their shoulders and hustling backward so we can study their faces — to track these two foolhardy volunteers to the front line. At times, the camera can make us feel like a third character along for the ride, and we the audience share in their anxiety.
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