What might make romance radical? For starters, Fever Ray's world feels largely unrestricted by the norms of gender.
, Fever Ray's new record, looks at love even more broadly: romantic connection, sexual desire, the making of family, the fostering of community, the rewards of commitment. It is interested in love not as a destination but, as Rich would put it, an ongoing process, and gives a glimpse into the many approaches — bravado and vulnerability, experimentation and hesitation, violence and delicacy — that process requires.
What might make romance radical? For starters, Fever Ray's world feels largely unrestricted by the norms of gender. Dreijer's shape-shifting vocals have been a staple of their music since their time as one-half of, the subversive and now defunct pop duo they formed with their brother Olof. This practice of pitch-shifting and vocal processing allows them to perform femininity, masculinity, androgyny — sometimes all in the same song, sometimes all at once.
The more reflective tone and pacing fits the record's lyrical perspective, where romance is never presented as a given or a sure thing — another trope Dreijer gently admonishes. Instead, they demonstrate the care and resolve that goes into maintaining these forms of love: the decisions, the needs, the boundaries, the mistakes, the courage.
; when they whisper-sing,"In the whole wide world / there's no place I'd rather be / than with you" in their lower register, it sounds not like an escapist fantasy but like the result of careful, mature consideration., too. On"Even It Out," Dreijer fantasizes about getting revenge on their kid's high school bully:"There's no room for you / and we know where you live," Dreijer sings,"one day we might come after you / taking back what's ours.
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