Hollywood is at a standstill
This image released by Warner Bros. Pictures shows Timothee Chalamet, left, and Zendaya in a scene from"Dune: Part Two." The film's release date, originally planned for November, has been delayed until March 2024. . Actors and screenwriters are months into a dual strike. Film sets are dark. But the movies are still coming — or, at least, most of them. Even if that means some potentially solitary red-carpet walks.
The fall has long been the preferred domain of filmmakers and auteurs, but this year that’s doubly so. With cast members largely prevented from promotion duties, directors — whether helming an Oscar shoo-in or superhero blockbuster — are carrying the load, albeit very reluctantly. But now that the strikes have rounded Labor Day, with no end in sight, Hollywood’s high season is imperiled. It has already robbed the Venice Film Festival of much of its star power and will soon do the same to the Toronto International Film Festival.
“This fall is such an exciting time for movies. I just want to see every movie coming out,” says Emerald Fennell, whose high-society satire “Saltburn” opens Nov. 24. “But for the industry to be sustainable — for it to be much more accessible to people, for it to be better paid for everyone at every single level – that’s the thing. That’s the priority as far as I’m concerned.”
As time has dragged on and picket lines have kept up the pressure, what may have once seemed like a disagreement over a handful of issues has swelled into a generational battle over the future of an industry remade by streaming and with new anxieties over AI.
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