‘Elvis’ Review: The Baz Luhrmann Treatment

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‘Elvis’ Review: The Baz Luhrmann Treatment
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  • 📰 WSJ
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  • 2 min. at publisher
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  • News: 13%
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Review: Baz Luhrmann’s 'Elvis,' in keeping with his cartoonist’s soul, is less a tragedy than a 2 1/2-hour Looney Tunes offering

could earn our forgiveness, and even our gratitude, if he calmed down a bit, but instead Mr. Luhrmann remains the same overcaffeinated film student he has always been. His specialty is updating classics such as “La Bohème” and “Romeo and Juliet” for the young and impatient, but his idea of updating means firing a confetti cannon laced with cubic zirconia and tinsel at the target.interesting to people born long after the entertainer perished in 1977 at 42.

Yet here we are: The editing is like a kaleidoscope fed through a food processor, the camera has less ability to sit still than a 4-year-old stuffed with birthday cake, and both lead actors veer into camp. As “Colonel”looks like he’s playing the Penguin in a Batman movie and is so loathsome that it’s inconceivable that anyone would allow him to manage a Woolworth’s, let alone a superstar. As Presley,’s Zoolander doing his aggressively moronic Blue Steel stare.

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