Director William Oldroyd’s (‘Lady Macbeth’) adaptation of Ottessa Moshfegh’s novel is a 1960s-set mystery brimming with lust and intrigue
the first thing you notice about, an adaptation of Ottessa Moshfegh’s 2015 novel. You notice it because the movie makes you notice. Dr. Saint John wafting in, tall, poised, cigarette to her lips. A Harvard educated Ph.D who’s arrived to turn this 1960s juvenile prison, the setting of much of this story, into a somewhat more psychologically informed place. Dr. Saint John has got something of that classic midcentury mystery about her.
She discreetly masturbates at work and even gets off to spying on kissing couples — the latter is our introduction to her. Her dad ain’t shit, but as he would ask, who is she? She’s a woman in search of an identity. Attraction to Dr. Saint John — whatever its true nature — goes some way toward giving her one. is about the curious pull between these women. Eileen’s interest in Dr. Saint John is almost too easy to take for granted. Dr.
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