Comic Book Movies, News, & Digital Comic Books
In recent years, experimental horror movies have resonated with viewers when they are direct reflections of impeded senses. In themovies, audiences witness characters attempting to remain completely silent, as they live in a world where monstrous creatures hunt exclusively by sound. In thefilms, characters navigate a post-apocalyptic world in which seeing otherworldly creatures causes victims to kill themselves.
It originally originated from us, and we just … they’ve done a phenomenal job, what they did with it, what they did with the script, we just were so pleased with it and just flew through it when we read it, and just fell in love with it right away, even more than we already had been with the original concept.
That was the one thing that was never blocked in, the place, but obviously it makes the film so much more unique. Telling a story like this in broad daylight in a very lush, green, beautiful, frankly, beautiful setting is what, in many ways, sets it apart and also just gives it a very unique look. It’s not in a dark, dingy basement. It’s not in an urban setting. It’s in nature.
Sometimes, it’s recognizable, and the times when it’s not recognizable, but you realize, “Oh, wow, they got us. I didn’t understand that this was gonna be the hook, but this is great. It makes sense. And this is the midpoint.” Then we brought Kelsey into a Zoom session and I think there was only one thing in there where it was like, “All right, maybe that isn’t exactly how it would work,” — we’re not gonna say what that is — “but for purposes of our story,” we were like, “We need this to be this way so it’s going to work.
That’s his process, at least as it relates to our experience with him. He was on set for some of the film, traipsing up mountains, back there offering support. The biggest thing that we’ve learned in our experience with Sam is that there is nobody that’s more enthusiastic about you getting to make your movie than Sam Raimi. He is the consummate cheerleader, four decades deep. He’s back there, supporting you, clapping, cheering.
Finn’s character wears a lot of masks in this movie and, for a portion of it, carries some of the narrative, dialogue-wise. It was important that that character was somebody that you just wanted to watch. Immensely watchable, charming, sometimes sadistic, but can play those equally and navigate that just seamlessly.
The stuff that usually inspires us and frightens us is when you see someone that is just evil walking around in plain sight, every day, and you don’t recognize it. Everybody always says, “I didn’t know the neighbor, he was so quiet.” Well, they never say, “Oh, I knew it from the start,” they never say that. This person would have been caught a long time ago, so that’s what we were trying to embody. I think Finn,.
There was one issue that Brian’s going to smile about, because it was literally the only thing that we didn’t fully prep, and it’s a good lesson for us, at least. It’s one thing that we didn’t fully prep. But we fell in love with the idea that another pair of eyes, another brain in the room, is just a better thing for your movie.Also having somebody, this is the first time we’ve ever had somebody start editing the movie as we’re shooting. A shoot at this level, this is the thing, they need to get started.
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