Cosmo Jarvis, Henry Golding and Richard E. Grant also star in this reworking of Jane Austen’s last completed novel, the feature debut of London stage director Carrie Cracknell.
, but Johnson, in her most lighthearted role to date, makes us complicit in Anne’s wry take on early 19th century mores.
That goes in particular for her deadpan self-knowledge as a free-thinking young woman who’s an outsider in her class-conscious, cash-strapped family, not to mention one still simmering in regret over a spurned love and now approaching an age that makes her almost unmarriageable by the standards of the day. Never mind that the luminous Johnson will be nobody’s idea of a spinster outshone by her narcissistic sisters.
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