The band needs Daisy, but it might be too fragile to survive her.
— the one with Liv Tyler running down Main Street screeching gleefully as The Wonders make their radio debut. In theversion, the geeky band boys chase down a carful of girls they overhear playing “Look At Us Now ”; when the song comes on the diner jukebox, Daisy cartoonishly drops the plates she’s meant to be bussing.
The plan is for Daisy to join the band on stage just for their big song, but she can’t help herself. She claims a mic early, then refuses to leave it once they’ve played the hell out of “Honeycomb.” Even 20 years later, Daisy insists to the camera that she kept singing because the crowd wouldn’t “let” her leave.
With Daisy’s support, Simone makes the game-changing decision to move to New York with Bernie, whom she’s been talking with since they met. It feels like a watershed moment for her character. She’s finally taking a step toward earning the “disco pioneer” chyron she gets in the documentary. It also leaves Daisy all alone in Hollywood. She moves into the sceney Chateau Marmont, which would likely be a bad idea for most people but seems especially dangerous for a pill-popping rock ingenue.
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