From 'Wizard of Oz' to 'Clueless' to Jean Paul Gaultier's futuristic work in 'The Fifth Element.'
"When I was young, I had a V.H.S. copy of 'An American In Paris' that I watched over and over again. It felt like a portal to a magical world, and the costumes designed by Orry-Kelly created beautiful imagery and highlighted the contours of the body so effortlessly in those early '50s bodices and skirts.
"In the Versailles episode of 'Halston,' I drew from 'An American In Paris' tremendously. The real Battle of Versailles fashion show choreography was done by Kay Thompson, who was Liza Minelli's godmother and mentor. I thought about what Kay would do in putting the theatrical elements of that show together, and thought the graphic nature of black-and-white with pops of red in 'An American In Paris' would be perfectly right for the set and the choreography.
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