‘Cold Copy’ Review: A Satisfying Media Noir For The Fox News Age – Tribeca Film festival

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‘Cold Copy’ Review: A Satisfying Media Noir For The Fox News Age – Tribeca Film festival
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  • 📰 DEADLINE
  • ⏱ Reading Time:
  • 69 sec. here
  • 3 min. at publisher
  • 📊 Quality Score:
  • News: 31%
  • Publisher: 63%

‘Cold Copy’ Review: A Satisfying Media Noir For The Fox News Age Tribeca2023

and a hard-nosed news reporter who gives her students a tough time — and Mia the toughest time of all. But Mia is under the spell of Heger’s public image: right at the top of the film we see Heger pontificating on the needs of the job. “Journalism is not a vocation, it’s a persona,” she says. “It has to be. You’re trying to wrangle deep, uncomfortable truths from people that, if revealed, can change the course of their lives.

Mia’s class is set coursework that involves researching, writing and shooting a 20-minute news segment, with the promise that only the best will be considered for broadcast on. Mia tries a number of blind alleys before encountering the perfect subject late at night. While dealing with an aggressive date, Mia is helped out a young stranger who turns out to be 16-year-old Igor Nowak , the son of a famous children’s author who recently died after taking an accidental overdose.

Igor is a precocious kid who lives by his own rules, in a spacious modernist home where his father is often absent. After spending some time with him, Mia decides that Igor’s budding career as an artist is the story — a human interest piece about the healing power of self-expression — but Heger shoots this down. “A lonely kid drawing in a big house is not a story.

Whether Mia will go all the way with this becomes the crux of the film’s final stretch, and it’s to Powley’s credit that it can go either way. Like those ’50s media noirs, there’s a certain ambiguity in the performance that suggests Mia might actually be pretty good as a heartless, self-serving sell-out.

Disappointingly, Mia doesn’t quite go all the way, but, like the censored Hollywood movies of the ’50s, the outline of a much bleaker and perhaps more satisfying story can still be seen.

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