Kevin Smith returns to the Quick Stop again with 'Clerks III,' bringing a combination of heart and nostalgia that makes it one of his best films in decades.
Over the past thirty years, Kevin Smith has had a wholly unique career with a filmography full of ups and downs that can be packaged into various phases. The first phase of Smith’s career gave us the View Askewniverse, an interconnected pentalogy of New Jersey stories that explored everything from a couple of guys hanging out at the mall to the potential end of existence thanks to a pair of renegade angels.
COLLIDER VIDEO OF THE DAY After his heart attack in 2018, Smith seemed ready to explore the View Askewniverse once more, but this time, by once again embracing that sentimentality. With 2019’s Jay and Silent Bob Reboot, not only did Jay become a father, but Smith also reinvestigated his 1997 film Chasing Amy in a way that was both affecting and attempting to right the errors that film made decades prior.
As Smith’s filmography has grown and gone down some strange paths, the Clerks series has always felt like the most personal and best encapsulation of where he is in his career at any given point. Clerks, naturally, was his film, shot cheaply and fully informed by his time working at the Quick Stop convenience store.
But even more so than the previous installments of this series, Clerks III works because of the performances from O’Halloran and Anderson. These two have basically become Smith’s version of Jesse and Celine, and it has been brilliant watching them grow together.
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