Once again claiming a centerpiece slot at the Annecy Animation Festival, this year’s Netflix’s animation showcase teased upcoming title “Leo” with an intro from Adam Sandler, drew buzz for series l…
Taking the stage to a warm welcome, Aardman co-founder Peter Lord, producer Leyla Hobart and the film’s director Sam Fell world premiered twelve minutes of fowl footage and shared technical details about a long-awaited sequel set to hatch on December 15 – the same end-of-year perch where Netflix placed “Guillermo del Toro’s Pinocchio.”
For her part, Ginger has lost her taste for adventure. “We can’t risk our freedom in a world that finds chicken so… delicious,” she says at a group meeting, warning her gang away from investigating the matter. But Ginger’s tone quickly gives way once Molly sets out to discover the world – and ends up in danger.Whereas the first “Chicken Run” played with Second World War iconography, winking at “The Great Escape” and “Stalag 17,” this new volume pushes those references two decades forward.
Those updates references – and the series of chases, Rube Goldberg mechanisms, and bits of derring-do they all precipitate – also allowed the filmmaking to push their formal boundaries. They used VR technology to compose and block set-pieces on sets that took nearly two years to build, and shot the project in a studio the size of four soccer fields. “We’ve poured in every bit of technical and creative know-how we’ve learned over 40 years of filmmaking,” beamed director Sam Fell.
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