Room 999, one of the films premiering in the Cannes Classics section of the Cannes Film Festival, poses the question of whether cinema is dying, a casualty of the digital age, streaming platforms a…
‘El Esqueleto de la Señora Morales’“We want to represent as many cinématographies as possible,” Duchaussoy tells Deadline, employing a French term that refers to the whole of a film and its techniques. He cites another example from this year’s program, the 1960 Mexican black-and-white film“It’s a wonderful film. It’s very funny. It’s dark,” he notes. “There’s a strong criticism of religion, of marriage. It’s tough for those times [late ‘50s], and you wonder how they made it.
Another goosebump moment came courtesy of Liv Ullmann, the Norwegian actress-filmmaker and Ingmar Bergman muse, subject of the Cannes Classics documentaryLiv Ullmann at at the Cannes film festival May 20, 2023.“We received [the documentary] and I watched it. ‘Ah, this is very subtle, that there’s something there,’” Duchaussoy recalls thinking. “And so we talked to them and we said, ‘Would Liv Ullmann be okay to go with the film and come to Cannes?’ And they said yes.
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