There’s one key question gripping the world this weekend: will the box office be smiling, or will it be Lyling? Sony’s “Lyle, Lyle, Crocodile” had hopes to challenge for the…
“Lyle, Lyle” landed a $3.47 million opening day, screening in 4,350 locations. While that’s not exactly the most impressive opening day on paper, the majority of ticket sales for the musical will come with family audiences attending screenings on Saturday, Sunday and the Monday holiday of Indigenous Peoples’ Day, which will keep a good fraction of kids out of school.
Based on the beloved children’s book by Bernard Waber, “Lyle, Lyle, Crocodile” follows a friendly CGI reptile with a bad case of stage fright, voiced by Grammy-nominated artist Shawn Mendes. The film also stars Constance Wu, Scoot McNairy and Winslow Fegley as the hospitable Primm family, as well as Javier Bardem as Hector P. Valenti, Lyle’s beguiling, mildly deranged showbiz mentor.
In a theatrical landscape that is still regathering itself coming out of COVID-19 lockdowns, box office expectations for adult-skewering dramas have been more measured and forgiving. But it’s difficult to dress this up as anything other than a terrible start for “Amsterdam.” New Regency co-funded its oversized $80 million production budget, while Disney has expended a good chunk of change on high-profile premiere events and marketing.
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