Review: The Blackmagic Pocket Cinema Camera 6K G2 isn't for everyone, but it caters to its niche perfectly.
Blackmagic Pocket Cinema Camera 6K G2: What’s Here and What’s Not
What is also missing from the BMPCC 6K G2 and the BMPCC 6K Pro is in-body image stabilization . Blackmagic cameras are built around the design sensibilities of traditional cine shooting, where most cameras would be locked down on a tripod, so any kind of stabilization would come from a lens or a gimbal.
While the in-software stabilization of footage from the BMPCC is excellent, as with many of the top-end software-stabilized options out there, it’s impossible to know what the crop will look like until stabilization is complete. Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none.
Even slow pans exhibit a significant jello effect from the rolling shutter, which is a shame considering the sensor size should make it relatively easy to get high-speed readout compared to full-frame cameras. Yet, many full-frame cameras have vastly better rolling shutter speeds simply because they have faster-performing sensors and processors.The camera is equipped with dual XLR inputs, HDMI out, timecode support, CFast 2.
The screen would also be big enough to eliminate the need for an HDMI monitor, were it not for the fact that it does not pivot to face forwards. This reduces the system’s usefulness in single-man camera operations since it’s impossible to determine if the focus is accurate, and there’s no built-in AF to rely upon.The real strength of the Blackmagic system lies not in the hardware but in the output.
The camera is not, technically, a “pocket” camera anymore . The size is a like a hulk-sized DSLR. That said, it’s very lightweight and feels solid and primarily stable; although the proper hand grip is bulky and smooth, it feels slightly less secure than I’d like. Our copy was provided with a Battery Grip for Pocket Cinema Camera , which makes the camera tall, which I liked quite a bit for handholding.
Also fantastic is internal ProRes . ProRes can be shot in log or non-log. As mentioned, it can shoot in B-RAW as well. The camera has built-in user-customizable monitor LUTs to preview RAW and log formats in-camera and to an external display.
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