Broadway’s Tony-nominated potusbway, Natalie Moore’s The Billboard and Molly Smith’s upcoming arenastage production, My Body No Choice, remind us to trust women as we collectively work to get our republic back on track.
, remind us to trust women as we collectively work to get our republic back on track.POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
It’s a question Vice President Kamala Harris has to be asking herself daily—as even from her exalted position, remains aBlack women have always had to fight for legitimacy while searching high and low for our authentic narratives to be shown in the light of day. It’s why the arts matter when building a movement.
The clinic responds with a billboard of its own: “Black women take care of their families by taking care of themselves. Abortion is self-care. #TrustBlackWomen.”In a play emphasizing Black women’s well-being, Moore said she didn’t want to tell people what to think, but rather what to talk about.opens in Washington, D.C. in this month, featuring monologues from eight American playwrights on women’s choices about body autonomy.
No matter who we see in our history books or in the news, Black women have always had our hands on the helm of history. From civil rights to the suffrage movement, from the continued fights for workers’ rights to climate action. And still, we sit at the intersection of sexism and racism to be consistently told to sit back down and wait our turn to lead.
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