Some of the most vibrant documentaries in recent years have been those that have deliberately blurred the lines that typically separate fiction from reality, and in this, Lisbon-based Swiss filmmak…
’s “L’Île aux oiseaux” is no exception. Selected as part of Locarno Festival’s Concorso Cineasti del presente, the sidebar program focusing on new talent, “L’Île aux oiseaux” is a graceful, hand-stitched portrait of a small Edenic bird center in Geneva, and their quiet employees who carry out their respective daily tasks with monastic devotion.
In many respects, “L’Île aux oiseaux” would appear to be no more than a well-conceived zoological documentary, were it not, that is, for the fact of the film’s persistent use of a spare, impersonal voiceover told from Antonin’s perspective. Through the voiceover, Antonin speculates on the thoughts and feelings of his otherwise silent co-workers, giving the film a novelistic air.
Another quality that gives “L’Île aux oiseaux” its fable-like qualities is the shape of the frame, a square vignette in which the edges are rounded. Da Costa, who is also the film’s DP, says he selected the vignette form “because the houses in the region are kind of a square shape and I wanted it to fit the architecture of the area.”
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