Behind the embattled mother-daughter dynamic of HBO's hit show, Sharp Objects ad
— the series was based on executive producer and co-writer Gillian Flynn’s novel of the same name — Adams said her scenes with Clarkson were the most challenging to perform because of the tense relationship between Camille and Adora, and executive producer Marti Noxon added that they were the hardest to watch. In myriad occasions throughout the eight-episode drama, it was that tension that forced each actress to delve deep as they sought to convey the complexities of their respective roles.
But it’s the fifth episode, “Closer,” when the tension between the women comes to a head. While shopping for a dress to wear to a town celebration, Adora forces Camille to come out of the dressing room, knowing full well Amma will learn about the self-harm scars Camille has been hiding under her baggy, long-sleeved clothes, forcing Camille to implode.
Though those words are anything but the warm dialogue one would expect between two family members, both Adams and Clarkson agreed that the most important part of inhabiting these women and their fraught relationship was not to judge them.
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