Hannah Hur’s goal in creating her beguiling works is to welcome ancestral spirits into our space.
“Signal ii” by Hanna Hur, 2017-2019. Watercolor, China marker and colored pencil on linen, 30 inches by 40 inches.
These delicate works use the languages of geometric abstraction, Conceptual art and Minimalism to create “gates” between our world and the spirit world. They are strikingly beautiful in their serenity. The austere, ethereal grids of Agnes Martin come to mind, and Hur’s works generate a similar expansive feeling. In the large painting “The Gate, ii,” a frame of circles in various shades of light blue encloses two vertical rectangles of white circles. Interspersed between the orbs, at somewhat random intervals, are smaller dots, some of which overlap the circles like a Venn diagram.
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