Ari Aster's latest horror-comedy is a full-length expansion upon his older—and stranger—short film. And in it, Beau has something totally weirder to be afraid of. More from beastobsessed:
. They do, however, exhibit many of the director’s continuing preoccupations. Fraught mother-son relationships are central to, to the point that both end with moms killing their offspring. The latter also involves a twisted abusive-incestuous bond between father and son that feels like the flip side to the dynamic found in Aster’s new film.imagines a boy clinging unnaturally to his ever-present paternal role model. And as seen in, starring a young Rachel Brosnahan as an L.A.
Aster’s initial efforts all balance comedy and horror, but what’s striking is how they frequently favor the former. revolve around characters monologuing caustically, and amusingly, to the camera in largely static tableaus, and, about a sex-obsessed hardboiled detective with a severe case of escalating shrinkage, is fundamentally absurdist in nature. So too is, a brief, juvenile, rough-around-the-edges infomercial spoof about a new method of expelling gas.
Unsurprisingly, Aster’s shorts are inherently showcases for his abilities, which improve over time. Be it the dialogue-free
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