Are two museum directors better than one? One of Germany’s biggest contemporary art complexes is about to find out:
In a landmark move in 2019, the German culture ministry decided that a consortium of Berlin’s major institutions, including the Hamburger Bahnhof and the Neue Nationalgalerie, would be broken up into smaller, more manageable bits.
Bardaouil, who is from Lebanon, and the German-born Fellrath have been working together as a curatorial duo since 2008, and have enormous experience working with museums, including German institutions. But they come from different perspectives. View of the Hamburger Bahnhof in 2021 during a show by Pauline Curnier Jardin. Photo: Paul Zinken/dpa-Zentralbild/dpa via Getty Images.
“The autonomy of all these institutions is strengthened, as is their ability to be fluid, responsive, and agile,” Bardaouil said of the reorganization of the museums. For the French pavilion, they are curating, together with Yasmina Reggad, works by the artist Zineb Sedira, the first French artist of Algerian heritage to helm the pavilion. Her project will focus on Algerian cinema from the 1960s and 1970s, and its connections to the Italian and French film scenes of the same era.
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