'This was the version where the illusion of 'Apocalypse Now' finally snapped into place for me.' Francis Ford Coppola on why the new 'Final Cut' of his masterpiece is definitive
]…but I felt that this being longer than one and shorter than the other was the right blend.”—Francis Ford Coppola
Mockoski and Guthrie figured they could not get only everything into shape, but could, in the former’s words, “push things in a different direction… into becoming more of an immersive viewing experience using technology that wasn’t around in 1979, especially once Dolby and IMAX came on board.” The question was whether Coppola was interested in going back into this particular jungle once more.
“When we were releasing the film in ’79,” Coppola says, sitting in one of his Northern California winery’s large, museum-like spaces above the tasting areas, “we knew it was too long, and too weird. The film was surreal — my feeling was the war was surreal, so anything trying to get to the heart of it was going to be out-there. But distributors kept telling us, ‘Make it shorter, make it less weird.’ So we did.
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