The new hit TV series, 'Beef,' deals with road rage, anger management, marriage and family stress and everything else that makes a person mad.
What do you do when a guy cuts you off in traffic, honks at you and does the finger on you? Do you try to chase him, follow him and get even or give him a piece of your mind? Or do you just chill, play classical music and forget it as just one of those off days?
It gets worse when the two try to find out more about each other and their families and try to retaliate by being more involved in each other's lives. So, you have this road rage incident. How do you take it from that experience to a show? Did you write a pilot first? How did you go about selling this project?
Probably because I've been both Danny and Amy, when I started writing, I was quite poor and had a lot of Danny-isms constantly and was very sad inside, and then now here I am at South Bay with a show, and I'm probably still sad inside. So, this feeling never goes away, and so you have to try and figure out how to accept it and live with it. That's why I wrote the show the way I did.
That can lead to shame, isolation and feeling alone. The more we are like, "Oh, I actually have thought that before too," or "I've actually even done that before." If we would just take our masks off once in a while, the need to go as crazy with expressing some of these things wouldn't be as high.As Sunny said, you both were executive producers.
Then in the set design, Grace spaced out those bars in Amy's home. She calculated to this perfect amount where it's seemingly Zen, but her house also feels like a cage. So anytime I was in my costume or in Amy's space, I always felt like this is supposed to be nice, and I asked for this, but I do feel a little trapped. And so, all of that really helped me prepare and get into it.
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