The film is 'a kind of WTF object of fascination—a dark fairy-tale-meets-windswept-sheep-farm domestic drama that you want to know almost nothing about before you see.'
I don’t know about you, but I’ve been looking for a movie to shake me up a little; shake me out of my streaming-induced torpor. I found it with, the debut feature from Icelandic director Valdimar Johannsson, which opens this weekend only in theaters and is a kind of WTF object of fascination—a dark fairy-tale-meets-windswept-sheep-farm domestic drama that you want to know almost nothing about before you see.
But the couple, Maria and Ingvar , accept their new addition with curious equanimity, and then a kind of touching love.in all senses of the word. The landscape is barren, the distances vast, and the comforts few and far between. And the story is just bonkers. Maria and Ingvar model a kind of radical acceptance in their approach to parenting, even as things turn ominous, first with the arrival of Ingvar’s no-good brother and then with the advance of a more supernatural retributive force.
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