We chat with AWoundedFawn stars sarahlindish & joshruben and filmmaker travisstevens about crafting their psychedelic, Greek-inspired horror movie, which is now streaming on Shudder:
The minds behind Jakob's Wife and Werewolves Within are teaming up for A Wounded Fawn. The horror thriller revolves around a woman attempting to get back into dating after escaping a toxic relationship, only to land in the crosshairs of a mentally unhinged serial killer.
Behind The Scenes of A Wounded Fawn Screen Rant: This is a rollercoaster of a movie Travis, where did the concept for this really come about? Travis Stevens: Yeah, because this story is told from the character's perspectives, which is an exaggerated sense of reality, it seemed to make sense to sort of lean into, like, the really theatrical blood. I didn't want this to feel like a reality sort of man-killing-a-woman type thing. I wanted it to feel like a play a bit, and I think those giallo movies, in what they were doing with the production design and cinematography, all that sort of heightened their reality.
Josh Ruben: It was super fun. I think because I knew, and just in speaking with Travis, this is an absurd character, t's not like I'm going in and trying to have a Marathon Man moment, it's definitely more of an homage — his name is Bruce, it is an homage, in many different ways. I think Travis is a very with-it visionary filmmaker, and producer, I don't think he would have taken the risk and seen in me an opportunity to be able to bring this thing to life.
Josh Ruben: Well, the idea of the mask too, just the veneer of it all, that's what was exciting. Just kind of remembering that, what it was like, "Oh, that was the acting challenge, the veneer, all these guys wear masks." That was what was so fun about this part is you get to play the — I've done it so many times. It's someone who people asked to be on, or has been on as my defense mechanism. I've done so many things that people walk away.
That's, I think, why we were so down to just do everything you see in the film, including the last scene, which was kind of a last minute decision, not to speak for Travis, but was like, "Hey, let's just try this," and it just ends up being this thing people talk about, because that's just what the troupe was, and how we were arriving.
I love the production design. Was that already imbued with the house when you first started putting the film together? Or did you really work with the production designer to have a specific look?
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