“Georgia O’Keeffe: To See Takes Time,” at MuseumModernArt, is devoted to the American modernist’s output in charcoal, pastel, watercolor, and graphite.
When Alfred Stieglitz first saw Georgia O’Keeffe’s drawings, in 1916, he was so impressed that he reportedly said, “At last, a woman on paper.
” On April 9,the first major exhibition devoted to the American modernist’s output in charcoal, pastel, watercolor, and graphite, accompanied by a selection of her crowd-pleasing canvases. “An Orchid” , from 1941, a pastel-on-paper work mounted on board, is among the more than hundred and twenty pieces on view.
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